What did it look like? She stood holding the pot in an undecided way. One of the remarkable aspects of this passage, and indeed of the story as a whole, is the point of view employed by the author.
Marian leaned back rigidly in her chair. You never came and you never went. Then the old woman in bed cleared her throat and spoke. She stopped for a moment beside one of the prickly dark shrubs with which the city had beautified the Home, and then proceeded slowly toward the building, which was of whitewashed brick and reflected the winter sunlight like a block of ice.
The nurse, after another triple motion to consult her wrist watch, asked automatically the question put to visitors in all institutions: Is it possible that they have actually done a thing like this to anyone—sent them in a stranger to talk, and rock, and tell away her whole long rigmarole?
The nurse shrugged and rose. Marian, the little girl, did not tell her that this visit would give her a minimum of only three points in her score. Her heart beat more and more slowly, her hands got colder and colder, and she could not hear whether the old women were saying anything or not.
It was the first time such a thing had happened to Marian. Marian suddenly pitched against the chair and sat down in it. For the second time, the claw almost touched her hair, but it was not quick enough.
She wore a red coat, and her straight yellow hair was hanging down loose from the pointed white cap all the little girls were wearing that year. The little girl put her cap on.
A sheep or a germ? Everything was silent until, behind one of the doors, an old lady of some kind cleared her throat like a sheep bleating. Moreover, the nameless girl Marian, we learn shortly is painted for us almost cruelly in terms of bland typicality.
The girl is mocked and insulted by them, treated with the same kind of indifference that the story seems to imply we collectively treat our elderly in and out of society. It was a sheep that she sounded like—a little lamb.
This was a woman in a white uniform who looked as if she were cold; she had close-cut hair which stood up on the very top of her head exactly like a sea wave. Marian stood tongue-tied; both hands held the potted plant. She looked down at the wet floor and thought that if she were sick in here they would have to let her go.
Marian felt as if she were walking on the waves, but the nurse paid no attention to it. Now she could see the old woman in bed very closely and plainly, and very abruptly, from all sides, as in dreams.
You might think this sets the stage for a grim tale that sentimentalizes the elderly as oppressed victims of abuse and neglect. There was loose, bulging linoleum on the floor.
At the same time, another claw to match drew her all the way into the room, and the next moment the door closed behind her.A VISIT OF CHARITY by Eudora WetlyIn this short story what is the (theme - conflict - symbols)? I am not familiar with this story, but enotes has a page on it that will help you.
An Analysis of Eudora Welty's Short Story "A Visit of Charity" PAGES 1. WORDS View Full Essay. More essays like this: eudora welty, a visit of charity, campfire girl marian.
Not sure what I'd do without @Kibin - Alfredo Alvarez, student @ Miami University. Exactly what I needed.
Lessons Learned in Eudora Welty's “The Little Store” Little Charity in Eudora Welty's A Visit of Charity In the short story of "A Visit of Charity" by Eudora Welty, a fourteen-year-old girl visits two women in a home for the elderly to bring them a plant and to earn points for Campfire Girls.
Welty implies through this story, however. - A Visit of Charity In the short story of "A Visit of Charity" by Eudora Welty, a fourteen-year-old girl visits two women in a home for the elderly to bring them a plant and to earn points for Campfire Girls.
A Visit of Charity ~ A Classic American Short Story by Eudora Welty () It was mid-morning—a very cold, bright day. Holding a potted plant before her, a girl of fourteen jumped off the bus in front of the Old Ladies’ Home, on the outskirts of town.
She wore a red coat, and her straight. Tags: "A Visit of Charity", Eudora Welty, short stories I love great beginnings. Take a look at the opening paragraph of Eudora Welty’s “A Visit of Charity” (from the Collected Stories), a wonderful story that famously was rejected 13 times by various magazines in the early s, including The Atlantic Monthly and Ladies Home Journal.Download